Review: Basement Jaxx – Scars
Friday, September 25th, 2009Basement Jaxx - Scars (2009) [XL] // Grade: B
That Basement Jaxx are responsible for the fiercely innovative Kish Kash—one of the best dance albums of the 00s, if not all time—is sort of a double-edged sword. It won them a Grammy, sure, and inspired a shit-ton of immovable devotion among electro fans and critics alike. But it also set the stage for a long career of coming up short. Even the most minor flaws look monstrous compared to Kish Kash-level brilliance, and you better believe we’re all making the comparison.
So let’s just say this about Scars: it is absolutely not Kish Kash. But it’s roughly nine gazillion times better than 2006′s mediocre Crazy Itch Radio and flaunts a few of Basement Jaxx’s most enigmatic collabs to date. Glitchy title track “Scars” (feat. Kelis, Meleka and Chipmunk) outproduces pretty much every recent hip-hop production, and “Day Of The Sunflowers” (feat. Yoko Ono) is somehow morbidly sunny, with a just-right amount of Yoko-infused weirdness. But “Saga” is the true Scars hero, with its Specials-meets-Siouxsie dub vibe and an almost unbelievably perfect Santigold. Forget the singles, even the eerily catchy “Raindrops”; “Saga” is the best track by far.
Honestly, Scars only falters when it flirts with the slow jam, and even then those flaws are forgivable; the Polynesian lounge “A Possibility” may drag a bit on repeat listens, but it definitely hits a sweet spot at first. It’s just that…well, it’s not Kish Kash. Or Rooty for that matter. And as long as we know that Basement Jaxx are capable of such intense innovation, such incredible genre-bending and tweaked-out production, nothing short of the best dance album ever will truly satisfy. Unfortunate, but true.



























