Beats Way Sick 03.10: Berlin, Bremen & BPitch Control
Friday, March 26th, 2010Breaking news: Germany? Huge techno scene. Seriously massive. I mean, telling people you’re into German techno is like saying you really love paintings, especially the kind that use paint. It’s part of the definition, guys: a rose is a rose is a rose. Techno is Germany is techno.
Because for whatever reason (up to and including my hunch that Ableton Live comes free with every flat), Deutschland does it better. BPitch does it better. Ellen Allien, Paul Kalkbrenner, Thomas Fehlmann, Apparat and AGF/Delay and Pascal Vert—they all do it better. So certainly it’s redundant to base an entire month’s track-hoarding on German releases. A waste. A goes-without-saying. Right?
Well, yeah. Probably. But I’m doing it anyway.
(Except for that Indian re-release post-jump. Variety. Spice of life. Etc.)
Ellen Allien – BPitch Control Artist Video
Producer, BPitch creator and all-around rad babe Ellen Allien is unarguably the modern queen of Berlin techno and minimal, so it’s super-interesting to hear her talk about the what, how and why of the scene she’s helped foster. And I swear I’m not obsessed with her at all. Not even remotely. Look at me: aloof!
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Goldfish + Der Dulz – Plants [Haseland Magnetschallplatten]
Vaguely wacky minimal that skates just left of center. Is it quirky? Aggressive? A little tongue-in-cheek? I can’t quite get my head around Bremen veterans Goldfish + Der Dulz—but I can’t stop listening to them either.
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Ellen Allien - Feel Like [BPitch Control]
The flip-side to the equally amazing single Pump, ostensibly from her forthcoming full-length. Classic Ellen: both minimal and maximal, hypnotic and glitched-out and absolutely on the brink of exploding before it recedes into the best sort of tease. Not that, like, I think it’s so great or anything. Aloof, remember? Look how aloof!






























