
“Go to hell black homosexual.” That was the @ (placing an @ in front of someone’s name notifies them of your tweet) I got on twitter when I responded to some fundamentalist Christian anti-homosexual who was harassing my friend @thexdexperience. I laughed about it, and I often bring it up in jest. It’s funny because my picture in my avatar is of me — with white skin — and scrolling back no less than an hour in my timeline will probably reveal a tweet where I’m talking about having sex with women, putting my mouth on their vaginas, or appreciating their distinct anatomy.
The guy’s response though, wasn’t aimed at me, it was aimed at an indiscernible person from #BlackTwitter. I am part of #BlackTwitter. Lately I’ve seen a few people writing about what #BlackTwitter is, but none of them seem to see the bigger picture. The @nerdatcooltable blog has had some posts on what #BlackTwitter is, and while it was written by people who are actually part of #BlackTwitter, it was only written for people who are part of #BlackTwitter. It would be difficult for someone unfamiliar to get an idea of #BlackTwitter from reading the blog posts. The other stuff I’ve read has been by journalists/academics/whoevers, none of whom seem to have any experience with #BlackTwitter beyond the incredibly problematic observations of removed anthropology. It’s not like I woke up one day and decided I wanted to write an article about #BlackTwitter, the need to write this piece grew out of the continued lack of a clear explanation of what #BlackTwitter is.
I never set out to find #BlackTwitter, in fact I had never heard of #BlackTwitter until I was already well within it. I started using twitter at the beginning of 2009 on the encouragement of my friends @jeylance (she’s not on there anymore) and @Ease_DaMan. At the time I was working in New York, for @MishkaNYC and most of the people I was meeting were on twitter, so I figured I’d check it out. It didn’t take me long to find people on twitter whose tweets I enjoyed reading. It started out as that, very simple. I’d follow people I met, and every once in a while I’d find new people to follow via a RT [retweet. Retweets are when you literally re-tweet what someone on your TL (timeline) tweets, and @ the author]. Then, at the end of 2010 I moved to California, came on some tough times and found myself completely uprooted. My living situation fell through and my backup living situation flaked on me, and all of the sudden I was in Los Angeles, alone, with nowhere to stay.
But, with all of my “real life” friends nowhere to be found one of my twitter friends was there for me. Even though we had never met in real life, @kissmydaisy picked me up, and let me stay the night at her house. I’m pretty sure this was the moment when I started to look at twitter differently, and that change in perception is pretty crucial to understanding what #BlackTwitter is and how it works. I joke around a lot on twitter, I answer questions about weed and other things that I know about, I send condolences, I congratulate, I encourage, I laugh, and so on. For me, twitter was never about marketing. Sure, it’s a way to tell people about my music, but the only people I’m telling about my music are people that I’m already friends with. I’m not on twitter making friends to market my music, and I think this is one of the main distinctions of what makes #BlackTwitter #BlackTwitter.

#ThatPlate or #StrugglePlate is a common topic. It is, as you might imagine, a belittling title bestowed upon food.
#BlackTwitter is about generative community that takes place in the moment. It’s a room of people that you populate by your own accord, and whenever you want to you can step into that room. You can step in to pick up on a conversation, start a conversation, rant, report something you’ve seen, ask a question, get some laughs, and whatever else your followers will engage in. The #BlackTwitter that I know—which often refers to itself as #NegroTwitter — is a diffuse community of people around the country, who are all sharing their lives. The fact that we’re thousands of miles apart from each other, haven’t met in real life, don’t really “know” each other, et cetera, was never an issue. The things that put a strain on “real life” relationships, or prevent them from happening, simply are not an issue on twitter. For that reason, amongst others, twitter is a parallel community that speaks of future life moreso than a reduction of real life. It’s not that you are any less who you are on twitter, it’s just that the ways we define ourselves on twitter are very different.
A large part of what defines you on twitter is who you follow/who follows you. Your TL will have a huge impact on who you become on twitter. Follow people who are always engaged and stimulating, and twitter isn’t a distraction from the rest of your life, but a new facet of life that enhances everything else. You can get advice from the opposite sex, get advice from people who are further along in a similar career path, or anything else you might ask for. No matter who you follow on twitter you can ask any question, but who follows you will determine what kinds of answers you get to your questions. But the dynamic of who you follow/who follows you plays out well beyond just asking questions. Follow boring people who simply update on what they’re doing right then, or what they just got done doing, and twitter is just another vapid, well-lit digital cave. The twitter that most people describe when they speak of a twitter that is vapid is just #WhiteTwitter. On #WhiteTwitter there is no dialog, there are no flourishing discussions, there are no ongoing jokes. #WhiteTwitter is just a bunch of one-sided conversations, and one tweet topics. #WhiteTwitter, and every other racially descriptive twitter exist only in their absence, because whatever your race, if you’re using twitter as a robust social tool, you’re on #BlackTwitter.
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