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High Tide: Impressionism & Rhyme Spittin'

By Zachg, 02/08/2012 - 7:30pm
Yarrow Slaps is a hustler for sure. He's been blessin me with plenty links lately, and the more I peep the more I like. Dude is just a guy alive in life makin raps. He paints pictures, like with paint. Although I don't have much qualification to speak on visual art, I'd say much like his raps, his paintings lean towards impressionism. Most rap is impressionist. It gives you a vibe to experience. Of course details and stories are peppered throughout, but I'd say one of the most common types of rap to find is probably impressionist rap. But it's not like there's a reason to call it that. It makes more sense to just call it rap. So call it rap we do. And it feels like right now there is a new rap album coming out every three days, and I find out about at least one new group or artist a week. It's a great time for music in the United States, and one result of this wild proliferation is an incredible diversification. It's great to look around and see so many different kinds of artists putting out incredibly developed work, and understanding how to present themselves. Or, understanding how not to present themselves. That certainly seems more accurate. It feels like a new sound emerges at every turn. And it's not just some halfway facade that unfolds into a trite and predictable album beyond cursory listening. With the proliferation of the tools, and the demystification of the means of distribution, music is revealing itself to be intertwined with the lives we live as young Americans. And not intertwined in the ways we previously understood it to be. In fact intertwined is not so accurate. Interwoven would me more accurate because you cannot create the fabric of our reality without the fibers of music. Be it music that we create, or music that we listen to, our generation's relationship to music is much deeper than we've yet recognized. We know that Rap is one of the chief dialects, but all of the sudden we have found ways to understand rap dialects at a much smaller and more personal level. All of the sudden rappers don't have to speak in pre-ordained dialects. They're free to reveal their own. In the midst of rappers speaking freely, these dudes Dior Sentai from Orlando hit me up. Oddly enough I wasn't surprised by what I heard on their debut Raw Cartoons, but it was on no account of the music. Their sound is an odd amalgam of anime soundtracks, post-OF (kinda nuts that this is aready happening) malevolence, and tumblr distilled Three 6 Mafia. That wasn't the expected part, that was the unexpected part. They really own the sound, and while they've definitely got some work to do they're off to a great start. The expected part of Dior Sentai actually came on account of geography, and not the music itself. Orlando was where I went to college, and where I started rapping. I was fortunate to be in a vibrant scene that actually was not too dissimilar from what's happening at a national scale on the internet. And as soon as I turned on Dior Sentai I could hear all the same things I used to experience at weeklies, and shows, and cyphers. It reminded me of all the time I spent not just recording, or playing shows, but living amongst a community of amazing artists. I'm grateful that the internet has given a lot of that to me in new ways, but some of it just can't happen over computers. So on that note, next Monday is going to be the first installment of Slap City, a weekly hip hop party at SOM in SF. There will be more info to come shortly, but for now just know that the Wave is about to hit the Bay, and you should too!
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